The Enigma of the Guest: The Presence of the Other in Paola Capriolo’s Works (2001–2016)
From the first stories of La grande Eulalia up to the late Mi ricordo, Paola Capriolo’s narrative production analyses the dark sides of the human mind by turning to both Myth and Art as privileged channels to comply with mystery. Every time she develops the great metaphor of the world as a theatre or penetrates …