Terror of Acceptance: Mass-Murders and Political Dystopia
The paper offers a comparative analysis of Franco Berardi Bifo’s treatise on modern terrorism (Heroes: Mass Murder and Suicide, 2015) and its (semio)capitalist background on one side and Montažstroj’s theatrical performance, inspired by a half-documentary fiction novel Jugend Ohne Gott (1937) by Ödön von Horváth, on the other. Employing some of the contemporary theoretical insights …
