{"id":968,"date":"2021-12-31T17:46:00","date_gmt":"2021-12-31T16:46:00","guid":{"rendered":"https:\/\/ffstopenpress.ffst.hr\/?post_type=article&#038;p=968"},"modified":"2026-05-05T17:48:52","modified_gmt":"2026-05-05T16:48:52","slug":"les-imbeciles-de-jerome-avenue-heterotopie-et-recit-de-soi-dans-loeuvre-de-jerome-charyn","status":"publish","type":"article","link":"https:\/\/ffstopenpress.ffst.hr\/en\/article\/les-imbeciles-de-jerome-avenue-heterotopie-et-recit-de-soi-dans-loeuvre-de-jerome-charyn\/","title":{"rendered":"Les imb\u00e9ciles de Jerome Avenue : h\u00e9t\u00e9rotopie et r\u00e9cit de soi dans l\u2019oeuvre de Jerome Charyn"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">This article explores the specific role of heterotopia in a literary context as a place located in-between reality and fiction, specifically in the light of the autofictional play at work in Charyn\u2019s writing. As both a spatial landmark and imaginary background of a reinvented world, the Bronx intersects both fact and creation. This subjective cartography brings Charyn to reposition different possible first persons along a complex spectrum. Like Jerome Avenue, which cuts Charyn\u2019s former borough in half, the line separating history and story is not wholly uncrossable, but rather a threshold to an affective mode of speech based on idiosyncrasy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This article explores the specific role of heterotopia in a literary context as a place located in-between reality and fiction, specifically in the light of the autofictional play at work in Charyn\u2019s writing. As both a spatial landmark and imaginary background of a reinvented world, the Bronx intersects both fact and creation. This subjective cartography &#8230;<\/p>\n","protected":false},"featured_media":947,"menu_order":0,"template":"","tags":[662,663,665,664,661],"class_list":["post-968","article","type-article","status-publish","has-post-thumbnail","hentry","tag-autofiction","tag-bronx","tag-heterotopia","tag-idiocy","tag-subjective-cartography"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffstopenpress.ffst.hr\/en\/wp-json\/wp\/v2\/article\/968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffstopenpress.ffst.hr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/ffstopenpress.ffst.hr\/en\/wp-json\/wp\/v2\/types\/article"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffstopenpress.ffst.hr\/en\/wp-json\/wp\/v2\/media\/947"}],"wp:attachment":[{"href":"https:\/\/ffstopenpress.ffst.hr\/en\/wp-json\/wp\/v2\/media?parent=968"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ffstopenpress.ffst.hr\/en\/wp-json\/wp\/v2\/tags?post=968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}